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New Shows That Might Be Good and Stuff September 9, 2013

Posted by Ted in : 1600 Penn, 30 Rock, Buffy the Vampire Slayer, Crime Dramas, CW, General, Hannibal, Heroes, Lost, Lucky 7, Marvel's Agents of S.H.E.I.L.D., NBC, Once Upon a Time, Once Upon a Time in Wonderland, Reality TV, Reviews, Ringer, Sci-Fi, Siberia, Sleepy Hollow, Terra Nova, The 100, The Blacklist, The Crazy Ones, The River, The Tomorrow People, The X-Files, Uncategorized, Whedonverse , add a comment

Wow, the 2013 Fall TV season really snuck up on me this year, so I apologize for not getting this posted sooner. I’ll spare you the excuses. Since I haven’t written in a while, first I’ll say a few words about last season’s shows.

As I might have mentioned last time, I’ve started to question my faith in network television over the last couple of years, with so many great new shows getting axed after one season or even half a season. Earlier in the year, two more favorites, 666 Park Ave. and 1600 Penn were tossed into the TV mass grave with the corpses of The River, Terra Nova, and Ringer.

666 Park Avenue, in spite of its campy name, turned out to be one of my all-time favorites. I think if more people had given it a chance, it would still be with us. ABC delivered the final four episodes during the summer, as promised, and the show’s writers managed to wrap the whole thing up in a way that provided closure to the fans. The ending was a suitably dark leap ahead in the show’s timeline, showing us the destiny of characters in this creepy-but-fun drama. If you have a taste for the supernatural genre, this is definitely one to get on DVD (or to watch on Netflix or whatever. I fully realize that the trend of technology is away from physical ownership and toward internet cloud-based storage and consumption. Kind of depressing, really. We’ll be sitting in our empty houses with no DVDs or CDs or books, glued like addicts to our wireless electronic devices. Not to mention, all the music, movie, and book stores will be put out of business in the process. Is there any way I can opt out of the future?)

 

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Jane tries to figure out what happened to her show.

 

1600 Penn – NBC has come up with a lot of terrible sitcoms in recent years, but this show about a fictitious US president and his family was a winner in my book. Jenna Elfman co-starred as the first lady, and exuded a kind of warm, cub scout den-mother likability (and she looks pretty stunning for her age, I might add.) The adult son’s lovable-goofball antics in a White House setting seemed like a witty enough premise, but America has once again disagreed. Yet another great show cancelled after half a season. Somebody tell me again how the hideously terrible 30 Rock lasted so long.

Siberia – Just when I was sure there would never be another show as good as 666 Park Avenue, NBC aired this amazing serial drama during the summer. It tells the tale of a Survivor-style reality show that turns incredibly weird. The first few episodes are presented in the style of a reality show, which may have had some people mistaking it for the real thing. Siberia is also similar to Lost in many ways, but is more coherent and suspenseful. It keeps you guessing and on the edge of your seat. The writing, acting, and directing are all top notch. I can already tell from the mania in various blog comment sections that this show is destined for cult status.

Too bad NBC made the highly questionable decision to run the show in the same time slot as the CBS series Under the Dome, which is based on the Stephen King book of the same name and has been killing Siberia in the ratings. I would probably be watching the show too, but I made a rule that, as a Stephen King fan, I wouldn’t watch any TV show or movie based on one of his books until I’ve read the book first. Anyway, I think most of the Under the Dome fans would love Siberia if they were aware of its existence. For the last couple years there’s been a lot of great shows to get iced before their time was due, but I think I’m really gonna be sick to my stomach if Siberia doesn’t get at least one more season.

 

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 Sam and Daniel await cancellation on Siberia

 

Hannibal – This dark crime-thriller featuring the famous movie cannibal debuted back in April on NBC. I watched an episode to see if I could keep my cookies down. I was in luck. This version of Hannibal is suave and stylish. He doesn’t tear at his victims’ bodies like a wild animal, but instead converts them into tasty culinary creations and shares them with unsuspecting dinner guests. By day the devious foodie works as a forensic psychiatrist who aids the FBI in tracking down serial killers, and his profiler friend Will sometimes gets lost in his visions and turns to Hannibal for support. Another factor influencing watchability is Gillian Anderson of X-Files fame in a recurring role as Hannibal’s psychiatrist. (Were you aware that psychiatrists have psychiatrists? I wasn’t either, but I could probably use one of my own after watching this show.) Hannibal has been renewed for a second season that will begin in 2014.

 

Here’s a quick rundown of new shows that might be good in the upcoming 2013 Fall season:

Sleepy Hollow (Premieres Monday, Sept. 16th on FOX) – As the name implies, this is a TV adaptation of the famous story “The Legend of Sleepy Hollow” by Washington Irving. I’m assuming this modern-day interpretation will be a prequel of sorts, which takes place before Ichabod Crane’s fateful meeting with the Headless Horseman.

The Blacklist (Premieres Monday, Sept. 23rd on NBC) – James Spader plays an enigmatic crime boss who turns himself in to the FBI, then offers to rat out various big players in the crime world, but, for some unknown reason, will communicate only with rookie agent Elizabeth Keen. As you might know, I’m not big on the crime shows, but I will at least check out the premiere of this one.

Marvel’s Agents of S.H.E.I.L.D. (Premieres Tuesday, Sept. 24 on ABC) – Despite the severely clunky title, this comic book-derived action drama could be one of the better new shows of the season. Why? It is co-written and co-produced by Buffy mastermind Joss Whedon, who has been having big success with the superhero movies in recent years. Expect lots of wisecracking and fight scenes.

Lucky 7 (Premieres Tuesday, Sept. 24 on ABC) – This one has a premise I can relate to: It deals with the lives of seven convenience store workers after they win a lottery jackpot. It’s based on a British show called The Syndicate. Maybe we’ll get lucky with this one. I suppose it’s a good sign that Stephen Spielberg is listed as a co-producer, along with ER‘s David Zabel. Then again, it seems like Spielberg’s name is on all the shows these days. He’s either cloned himself or he’s world’s biggest workaholic.

 

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Breakin’ out the bubbly on Lucky 7

 

The Crazy Ones (Premieres Thursday, Sept. 26 on CBS) – Sarah Michelle Gellar has risen from the ashes of the sort-lived Ringer and teamed up with legend Robin Williams in this new Office-style single-camera comedy. I would have preferred to see her in some type of supernatural or sci-fi thing, but I’ll take this as a consolation prize. Who knows, it could fly. Gellar’s comic sensibilities were part of what made Buffy such a huge hit. This girl desperately needs a second hit show, so maybe the viewers will smile down upon this one. In case you were wondering, this is Robin Williams’ first regular TV series role since Mork and Mindy wrapped up back in 1982! Let’s hope Robin is as good at picking TV roles as he is at picking movie roles.

Once Upon a Time in Wonderland (Premieres Thursday, Oct. 10 on ABC) – As you might have guessed, this is a spin-off of ABC’s excellent fairytale drama Once Upon a Time which focuses on the characters of Alice’s Adventures in Wonderland. Alice will have a love interest in this version — a genie named Cyrus. Paul Reubens (aka Pee-wee Herman) was originally cast as the voice of the White Rabbit, but has been replaced by John Lithgow. Alice learned that curiosity can lead you to some really weird places, and hopefully the CGI effects in this live-action drama will do her adventures justice. Strangely, there’s no word on who will play the Mad Hatter.

Dracula (Premieres Friday, Oct. 25 on NBC) – NBC has finally clambered onto the vampire bandwagon with this reboot of the well-worn Bram Stoker novel. One good sign: It will be co-written by Daniel Knauf, creator of the critically acclaimed HBO show Carnivàle which aired a few years back (which I haven’t actually seen, due to my ongoing lack of access to cable television.)

The 100 (Scheduled to premiere on The CW as a midseason show in 2014) – The CW must have heard my prayers, they are cooking up two new sci-fi shows for us this season. This one is summarized by TV Guide as follows: “Nearly a century after a nuclear war has destroyed civilization, a spaceship sends 100 juvenile delinquents back to Earth to investigate the possibility of re-colonizing.” Sounds like fun, right?

The Tomorrow People (Premieres Wednesday, Oct. 9 on The CW) – If you loved Heroes, this could be the antidote for your aching heart. The Tomorrow People, based on a British TV show of the same name, has more than a few parallels to the ill-fated NBC superhero drama. It tells the story of several young mutants from around the world with various supernatural powers, and is written and co-produced by Phil Klemmer, who wrote several episodes of Chuck and Veronica Mars, of all things.

 

I’m in a TV State of Mind April 25, 2012

Posted by Ted in : 24, Dollhouse, DTV, Fringe, General, Heroes, Inspirational, Lost, Parks and Recreation, Reviews, Ringer, Sci-Fi, Supernatural, Terra Nova, The Office, The River, Touch, Whedonverse , add a comment

Spring is here and the concluding 2011-2012 network TV season has turned out to be one of the better ones in memory. Here’s my take on some of the shows of the previous year:

The River

You may remember my rants about the DTV transition, which caused me to miss the last season of Lost because I couldn’t pick up ABC anymore. That was not a good situation for a TV blogger to be in, but luckily my local ABC affiliate has since boosted their signal enough that I can now pick up their nebulous station.

As a result, I discovered The River, which became my favorite show of the season. It’s sort of a cross between Lost, Blair Witch Project, and the Paranormal Activity movies. Set in the exotic locale of the Amazon jungle, The River really delivers the goods in terms of what makes for quality television: evil spirits, monsters, ghosts, conspiracies, native folklore, and even a demonic possession or two for good measure.

Admittedly, the premise of the show — a group of people on a boat navigating their way through a maze of rivers and fighting off various supernatural entities — seems a little too much like a video game. The River generally seeks to entertain without burdening its viewers with symbolism or deeper meanings. It dispenses with reality almost to the point of campiness at times, but that, for me, is usually more of a reason to watch than to change the channel.

I was surprised to read that this show hasn’t done too well in the ratings, and ABC was rumored to be in talks to sell the show to a cable network. In short, the future of this show’s not looking too good for those of us with only over-the-air channels.

Ringer

Sarah Michelle Gellar’s double reincarnation on her native CW network has been better than I expected. Ringer just finished up its first season with a fan-pleasing ending that tied up most of the loose ends, and provides a clean slate for the start of the next season, assuming there is one. The show’s ratings haven’t been the greatest, but they got a big boost for the season finale, which is encouraging news.

Now that the dual murder plots against the twins have been resolved, we will undoubtedly see more of a direct confrontation between the sisters, Bridget and Siobhan (pronounced “shi-bahn”), in future episodes, perhaps battling it out for the allegiance of their mutual husband, Andrew Martin.

This mystery drama gets to be a lot like a soap opera at times, but have I found myself watching every episode in spite of the obviously female target demographic. The show might have fallen flat with a lesser actress in the starring role, but Gellar’s wit and energy has helped to keep this show interesting.

(Checking my notes, scribbled on a little piece of paper.)

Another thing I like about Ringer is the music. CW’s habit of playing snippets of contemporary pop songs during their shows usually annoys me, but song choices on Ringer avoid the usual melodramatic route in favor of alterno-indie fare that has, on more than one occasion, sent me wandering off to the CW website to find out what the heck I was listening to.

Touch

Another interesting new show, which started mid-season, is the highly ambitious sci-fi-esque drama Touch by Heroes creator Tim Kring. The show follows the story of single father Martin Bohm and his mute, seemingly autistic son, Jake. The actor who plays Martin, a Kiefer something, looks a bit like 24‘s Jack Bauer.

The son, Jake, has a habit of writing down pages of repetitive numbers, which seem to manifest themselves as signposts in the lives of random people, who are brought together in various beneficial and tear-jerking ways. “Aha!” you say. “It’s the old numerology-and-clairvoyance-masquerading-as-physics routine.” Apparently, it is Jake’s heavenly-designated task to make sure that these various characters connect with each other for their mutual benefit, resulting in bucketfuls of sunshine and rainbows and happily-ever-afters.

As with Heroes, there are a lot of things I like about this show, and also some things I don’t like. The most annoying of the latter — I hate to say it — is the eleven-year-old son Jake. Not only does he refuse to talk, he throws a fit whenever he is touched by another person. Also, he likes to wander off by himself and doesn’t respond to anything his father says to him. Dad spends most of the show on a wild goose chase, running after his son yelling “Jake! Jake! Where are you going Jake?” Somebody needs to call Nanny 911, and fast.

Even more nerve-grating are the kid’s pompous monologues that start and end the show, meant to impart deep wisdom to us, the unwashed viewers. It is unclear in these moments whether we are hearing Jake’s thoughts or if he periodically sneaks off with a tape recorder while no one’s looking, as if to say, “Ha, ha, the joke’s on you! You thought I was mute, but it turns out I’m just a brat!”

This is a show in dire need of a villain. My suggestion would be this: since the kid has already assumed the role of villain in my life, why not let him be Officially Evil on the show too? Give him telekinetic powers in addition to his clairvoyant ability, and maybe he could use his knack with numbers to create chaos and confusion instead of Hallmark card moments. Then bring back a few super-powered characters from Heroes to teach the wayward tyke some important life lessons.

The whole Touch experience feels a little bit like Josh Whedon’s Dollhouse, another show that I tried hard to like and stuck with for the duration of its short life. Except with smiley faces instead of brooding post-apocalyptic irony. When I contemplate the future of this show, the cosmic number receiver in my gourde keeps saying 86. That’s not good, unless it refers to the number of episodes that will be aired.

Fringe

Fringe is still hanging in there after four years on FOX, but the ratings this season have hit rock bottom. Still somewhat of a confusing mess with the alternate timelines and what not, it remains one of the better shows on television.

I think I’ve finally put my finger on what’s holding this series back: it relies too much on the stand-alone stories and has become too predictable, too much like a police procedural drama. I would like to see Fringe as a true serial drama with one long never-ending story arc. Then, instead of staying bogged down in the lab, let the setting change on a regular basis and don’t anchor the show to any specific location. I know that’s a lot to ask, but there it is. A new direction for the series might be just what it needs to boost its viewership again.

Terra Nova

I started out making fun of this show, but ended up liking it a lot. Having an army of executive producers turned out to be an effective strategy. The dinosaurs, thankfully, were not the central focus of the series, but more like part of the scenery. The real theme of the show was the power struggle that goes on in a small developing community and the ways people learn to co-operate for their common good. Like so many great network sci-fi shows of the past, it now appears that Terra Nova has been cancelled after one season.

Supernatural

This old standby of the CW network was less interesting without the Cass and Bobby characters this season. Luckily, both have rematerialized in the later episodes in slightly altered forms — Bobby as a ghost, and Cass unable to remember that he’s an angel. I have a feeling this show has yet another slam-bang season finale in store for us.

The Office

I checked out this show’s Facebook page early in the season and found a lot of predictable “This show sucks without Steve Carell” type comments. Personally, I think the quality of the show has stayed pretty high this season, except for a couple of weak episodes like the one where Andy gets a butt tattoo as a gimmick to boost the morale of the sales team. That episode was so bad I went online to find out who wrote it. Turned out that it was Paul Lieberstein, the guy who plays Toby. Hmmm, maybe we shouldn’t be letting the actors write the show? Just a thought.

Otherwise, The Office has stayed entertaining and has not yet devolved into the kind of unbridled childish stupidness that afflicts certain other NBC sitcoms. This is probably due to the continued involvement of Ricky Gervais and Stephen Merchant, the producers of the original British version of the show.

Parks and Recreation

Another excellent sitcom that NBC has still not found a way to screw up. Leslie Knope has taken leave from the Parks and Rec Board to run for Mayor of Pawnee, and it will be interesting to see what happens now that Mr. Swanson had appointed the icy April as a Knope’s unlikely temporary replacement. Undoubtedly, many enquiries into P&R issues will be met with a cold stare and a distant, apathetic attitude.

Well, that wraps up my review of shows I watched last season. To be honest, I’m kind of glad that summertime is approaching so I can ease up on the television and get out and see the sun and maybe read a couple of books.

There is never a shortage of people in my life to remind me that all this watching of TV is a waste of time. They say that life is short, and should be spent doing things like climbing mountains, attending wine tastings, or memorizing the value of pi to a hundred decimals. What they don’t understand is that television is more than a time-wasting device for me. After putting in almost 50 hours a week at the local convenience store, I need a way to relax. When I get home in the morning after one of my grueling all-night shifts spent ringing up people’s cigarettes and energy drinks, nothing helps relieve the stress better than popping in a videotape of one of my favorite shows.

The TV world, in my opinion, is far superior to the real one. Everything there is interesting and nicely scripted — well, at least in the good shows. The people are quick-witted, sharply dressed, and usually know the right thing to do in every situation. There are no problems that can’t be resolved, no scenarios that are too far-fetched, no laws of physics that can’t be broken. That’s the universe I want to live in.

Recently it occurred to me that I might somehow live to be pretty old. Hopefully by then I won’t be living in Mom’s basement anymore. Not that it bothers me to be living here at age 38. I happened to have been blessed with a cool Mom. Times have been tough and she understands that, plus I’m sure she appreciates the yard work I do in addition to the $150 in rent I pay her every month. If it ain’t broken, don’t fix it.

What was I saying? Oh yeah, I was saying that one day I would be old and hobbling around with a cane and I would think back on what I had achieved in my life. Would I regret the fact that I had spent all of my years on the couch in front of the tube and writing a blog about it? Would I think that my life had been wasted? No way, people. This is what I was born for and I wouldn’t trade it for anything.

 

How Long Before NBC Kills The Event? April 16, 2011

Posted by Ted in : 24, CW, ER, Heroes, Lost, NBC, Reviews, Sci-Fi, Supernatural, The Event, Tonight Show , 1 comment so far

For a TV show to be truly great, I believe it has to have at least one of three things: aliens, ghosts, or conspiracies. The Event delivers two of these features (no ghosts so far) along with a fast-paced storyline that approximates the suspense of 24. The show also utilizes the Lost technique of keeping the viewer guessing by having strange plot developments in every show (SPOILER ALERT for you DVD watchers!) — there are disappearing planes, extraterrestrials held captive by the government, people who don’t age, kids who look like old people, and a villain who turns out to be a shape-shifter. And that’s just the first half season. This is an ambitious show that builds on the great shows that came before it.

Caught up in the middle of the dangerous interplanetary intrigue is an attractive young couple, Sean and Leila, who want nothing more than to get married and lead a normal life. While the two are on vacation, Sean returns to his hotel room to find that Leila is gone along with their belongings, and the room is now occupied by a different couple. The hotel desk informs him that they have no record of him or his girlfriend staying in the room. It turns out that Leila has been kidnapped, along with her father and sister. Sean eventually tracks her down and is able to free her, and they find themselves on the run from both her kidnappers and the government.

Leila and Sean connect the dots 

In the first few episodes, Jason Ritter and Sarah Roemer, the actors who portrayed Sean and Leila, had a humorous habit of stuttering and stammering in every scene, which I think was intended to convey the idea of average people who find themselves in extraordinary circumstances — the sort of characterization that was pulled off flawlessly by Richard Dreyfuss in Close Encounters of the Third Kind, for instance. Once again the old saying, “Art has a life of its own,” has found a new example. The actors’ intention of realism plays on the receiving end as a comedy routine about people with speech impediments. Which, to me, translates into “the director is asleep at the wheel.”

Also, some of the dialogue in recent episodes seems painfully artificial. The extraterrestrials are all business, with no time for walks on the beach or picnics in the park, as evidenced by such matter-of-fact pronouncements as “The uranium will be used to create a portal…that will bring many more of our people to earth,” and “The future of our race hangs in the balance.”

Laura Innes, once famous as Dr. Weaver on ER, plays the leader of the other-worldly visitors. It’s ironic that her character on the show, Sophia, ages at a tiny fraction of the rate of a normal human, because the actress has aged considerably since her early days at County General hospital. It pains me to say this, as a long time Innes fan, but she could use some sprucing up in the hair and make-up department. I mean, come on NBC! She’s queen of the aliens. Let her have some sex appeal, for crying out loud.

In spite of the defects, I can say with confidence that The Event is a must-see for fans of science fiction television. The long-term fate of the show is precarious for a couple of reasons, the first obviously being that some people automatically turn off the TV when a storyline involves aliens. The second reason is almost as obvious: NBC is notorious for axing TV shows at the first sign of lower ratings. This is especially true for sci-fi shows — Heroes and Surface come to mind. The recent Tonight Show debacle effectively solidified NBC’s status as the network that makes really stupid decisions. I’m guessing Conan O’Brien’s butt still hurts from having the rug pulled out from under him after only seven months on the job at The Tonight Show.

Other, smarter networks, such as Fox and CW, give their shows a chance to develop, give the production staff a greater degree of creative freedom, and, most importantly, they respect the fans by letting shows end with dignity, allowing the writers to tie up all the loose ends and resolve any unfinished business. Supernatural is the perfect example. The show seemed pretty hopeless in its first season, and I gave up on it after one episode. The CW network, however, didn’t give up. They allowed the show to develop and improve over time. I caught an episode several seasons later, and I couldn’t believe how much better it was. The CW had done what NBC would find unthinkable: It had actually stood by one of its TV shows and made it a big success.

As I watched the once-compelling Heroes crash and burn over the course of its four season run, I developed the impression that it suffered from too-many-chefs-in-the-kitchenitis. I pictured NBC executives in Brooks Brothers suits hovering over the writers’ computers, leaning in to retype a word here and there, and micromanaging every conceivable detail of the storyline, creating the convoluted mess that left fans shaking their heads in dismay. There’s a reason why Claire-Bear leapt to her non-death in the final scene. She clearly hoped that her super-healing powers would fail her for just once, and the unbearable folly of Heroes would be over. The viewers were right there alongside her, ready for the death plunge.

The NBC bean counters probably spend long hours in their mahogany-paneled conference rooms arguing that science fiction and supernatural TV shows are too expensive to make and don’t attract enough viewers. I can hear them saying something to the effect of, “We need to watch these dirt-bag sci-fi producers carefully and make sure they’re delivering a product conducive to the longevity of our lavish lifestyles.”

A part of me wishes NBC would just agree to never attempt any more sci-fi, then I could wash my hands of them forever. I’m sure they would do just fine with their current line-up of game shows, crime dramas, and really bad sitcoms.

Midseason 2009 TV Explosion! January 6, 2009

Posted by Ted in : 24, 30 Rock, Amazing Race, American Idol, Buffy the Vampire Slayer, Dollhouse, Fringe, General, Hell's Kitchen, Heroes, Holiday Posts, Kath & Kim, Lost, Midseason, My Name is Earl, Reality TV, Reviews, Sci-Fi, Smallville, Terminator: tSCC, The Office , 8comments

 January is here. The festivities and laziness of the holiday season are behind us. It’s time for everyone to once again get serious about things, get back to work, and face up to the hard cold reality of life. Right?

Wrong! January is the time of year we TV watchers plunge head first into some serious escapist entertainment, and here at TV Crawlspace the only reality we’ll be facing is reality television. In just a few days, a massive wave of midseason premieres will hit like a tsunami, carrying us helplessly out into the television ocean, hopefully never to return again.

For TV Guide’s complete schedule of midseason premieres, click here.

Here’s a rundown of shows I’m looking forward to (and a couple I’m not looking forward to) in chronological order:

13 Fear is Real – (starts Wed., Jan. 7 on CW 8/7c)
This is a spooky themed reality show that might be amusing, something along the lines of Survivor meets Blair Witch Project. I hope there’s something more going on here than guys in masks jumping out and scaring contestants.

NBC comedy night done (halfway) right – (all four shows resume on Thur., Jan. 8 on NBC 8/7c)
My Name is Earl – This has been a little bit better this season, with a half hearted attempt to return to the theme of redemption (Earl’s list) that made the show so appealing in the first season.
Kath & Kim – I watched this show just to see how bad it was, and to my surprise I liked it. Slightly demented but well written, it’s sort of a kinder, gentler version of John Waters. Everybody on this show apparently works in a mall. How cool is that?
The Office – This has been brilliant as usual. I especially liked the episode where Jim and Pam had their first disagreement. I hope this is a foreshadowing of things to come. I think I like them better as enemies than lovers. Is it just me, or are all the female characters on this show mean and vindictive?
30 Rock – As a fan of Tina Fey during her SNL days, I wanted to like this overhyped show, but the cutesy self-satisfied tone of it left me cold. The jokes aren’t funny, and the endless parade of guest stars can’t make up for the show’s lack of direction. The emperor has no clothes!

Howie Do It – (starts Fri. Jan. 9 on ABC 8/7c)
This appears to be a hidden camera prank type show with Howie Mandel. I may watch the one episode that is aired before the show is cancelled.

24 – (starts Sun. Jan. 11 on FOX 8/7c)
What I always liked about 24 was its sci-fi elements, like the spacey soundtrack, and the high tech gadgetry. This season Janeane Garofalo plays the new computer guru, Janis Gold. According to TV Guide, “Mid-season run-ins with Chloe should make for hot geek-on-geek action.”

American Idol – (starts Tue. Jan. 13 on FOX 8/7c)
It is what it is.

Smallville – (returns Thur. Jan. 15 on CW 8/7c)
I’ve gotten hooked on this show again after sitting out for a couple of seasons. It seems unfair that Smallville’s best season ever may be its last, although I don’t know if that’s been made official yet.

Supernatural – (returns Thur. Jan. 15 on CW 9/8c)
Another CW show that I’ve rediscovered. It seems to have improved a lot since its first season. CW deserves credit for giving shows like this and Smallville a chance, and not axing them at the drop of a hat.

Fringe – (returns Tue. Jan. 20 on FOX 9/8c)
This sci-fi drama from the co-creator of Lost is my favorite new show of the year. Run and tell your friends.

Lost – (starts Wed. Jan. 21 on ABC 9/8c)
There are few television pleasures that compare with getting lost in Lost. It’s pretty amazing that a show this weird could stay on the air for five years, but it’s been reported that season 6 in 2010 will be the last.

Hell’s Kitchen – (starts Thur. Jan. 29 on FOX 9/8c)
Not a great time slot for Chef Ramsey this time around. He’s going up against The Office and the ratings powerhouse Supernatural.

Heroes – (returns Mon. Feb. 2 on NBC 9/8c)
This quality of this show has fallen faster than Nathan Petrelli during an eclipse. The storylines seem to be wandering aimlessly. Too many characters to keep up with is part of the problem. Some have suggested it could be the show’s last season if the ratings don’t improve.

Terminator: The Sarah Connor Chronicles – (returns Fri. Feb. 13 on FOX 8/7c)
FOX is moving this to Fridays, where it will be paired up with Dollhouse.

Dollhouse – (starts Fri. Feb. 13 on FOX 9/8c)
This is the one that everyone’s waiting for, the new show from Buffy/Angel mastermind Joss Whedon, but there have reportedly been problems in production and FOX has now relegated the show to the dreaded Friday night time slot (set to debut on Friday the 13th, no less). Of course, the X-files thrived on Fridays, so there’s still hope.

The Amazing Race – (starts Sun. Feb. 15 on CBS 8/7c)
My favorite reality show will feature less airports this season, according to TV Guide.

Somebody Save Smallville! November 23, 2008

Posted by Ted in : Heroes, My Name is Earl, Reviews, Sci-Fi, Smallville , 3comments

 

smallville221

 

(Editor’s note: I was two episodes behind when I wrote this post, so it does not reflect the most recent developments of the show. I just watched the last amazing episode before the mid-season break, and it contains lots of new developments. So, even though I’m a little out of date on this post, I like to think of it as marking a specific moment in time.)

Attention all readers: It’s time for us to jump in the phone booth, put on our tights, and save Smallville, the WB’s long running saga of Superman. “Who me?”, you ask. “I’m just a shoeshine boy, how on earth do I save the most powerful hero in DC comics?” Well, it’s not as hard at it seems. Just watch the WB on Thurdsay nights. After enjoying several episodes of what has been hinted to be Smallville’s FINAL SEASON, I can say with certainty that this show needs to be saved! I would even argue that it beats the current season of Heroes. Gasp!

I admit I had gone splitsville from Smallville for the last couple of seasons. The storylines seemed like retreads of the same old territory: meteor-powered villian captures Chloe, Lana, or Lois. After being temporarily debilitated by the kryptonite studs on the villian’s sneakers, Clark bounces back just in time to save the damsel or dude in distress. I started to wonder if the writers were running out of ideas, or had just stopped caring. I found it hard to warm up to some of the new characters like Oliver Queen (a.k.a. the Green Arrow) and Kara (Supergirl). Most of all, the romantic entanglements were making the show unwatchable. The Lex and Lana debacle drove me to watch My Name is Earl instead. Even the show’s original producers finally lost interest and called it quits.

This time around I decided to give the show some unconditional love and return for its eighth and possibly final season, for which I was amply rewarded. With the ever-brooding Lex and the eternally conflicted Lana out of the picture, the show has a newfound spring in its step and a shine on its shoes. After seven seasons chronicling Clark Kent’s youth, the show has finally reached several pivotal moments in the Superman mythology, such as Clark beginning his job at the Daily Planet, and contemplating his role as a superhero.

The best part of this season has been the lively banter between Lois and Clark. The two characters seem more real than ever before. Kent’s chemistry with his friend-turned-coworker is off the charts. In earlier seasons they sparred like sibling rivals, but their friendship has evolved into something much spicier. They still seem to be in denial about their feelings for each other, although rumors say that could change later in the season. In keeping with the comic book tradition, Lois still doesn’t know about Clark’s superpowers, even though he’s saved her life several times.

The other vital character on the show is, of course, Chloe Sullivan, Clark’s best friend and all purpose computer guru and rogue journalist. A lot of us reclusive, aging Smallville fans like to think that Chloe is a real person. When we’re writing our blogs we ask ourselves, “What would Chloe write?” She has now made it onto her own hypothetical wall of weird and developed meteor-based mega intelligence. As a result of the upgrade, she has turbocharged hacking skills, super memory, and can multitask like nobody’s business. I’m not so crazy about this development. First of all, it makes her a target. She has already been captured by Luthercorp, who sought to exploit her ablilities for their own devious purposes. Even worse, in recent episodes we have seen signs of impending villianhood for Miss Sullivan. When she used her brain to hot wire the Kryptonian thingamajig, her eyes went white and she became super strong. Also, she killed somebody. This will not do. I want the old Chloe back. She was smart enough without the super powers. They should donate her extra intelligence to somebody who really needs it, like Earl’s annoying brother Randy.

Aside from this minor complaint, Smallville is better than ever this season. If you’ve never seen it, now is the time. Together we can boost the ratings and save this great show. The citizens of Metropolis are depending on you.

Lesser Heroes Unveiled August 18, 2008

Posted by Ted in : Heroes, Holiday Posts, Sci-Fi , 4comments

 

We’ve got nothing to worry about.

 

The exciting third season of Heroes begins September 22, and we at the crawlspace (basically me and my beta fish) will be letting all our calls go to voicemail on Monday nights. The writers of Heroes are always trying to come up with interesting new characters with unique superpowers. Since most of the really impressive powers, like super healing, mind reading, and time traveling, have already been used, the writers will have to start coming up with characters with less impressive powers in future seasons of the show. Here are a few new heroes in the works according to my inside sources (spoiler alert!):

Isaac Mendes, the precognitive artist who painted events of the future, was tragically killed by the evil Sylar. Isaac is gone but not forgotten. Following in his footsteps is his cousin Todd, who will have the ability to paint what happened five minutes ago. He does this with the aid of CNN and MSNBC, and some nice brushes his Aunt Jane gave him for Christmas. He uploads his creations to his blog several times a day and his family is really impressed with his entrepreneurial spirit.

Daphne “Tic Tac” Jacobs has the not too amazing ability to guess what people ate for lunch, which she does especially well if the person in question had a tuna sandwich or a Chef Boyardee product. Daphne is proud of her power. When she becomes aware of somebody’s meal choice, she announces it loudly for all their coworkers to hear.

Another departed hero is D.L. Hawkins, who had the power to walk through walls. Jeff “Turbo” Penaskovic has a similar power, although it’s somewhat less impressive. Turbo is only able to walk partially through walls. His power is usually demonstrated at parties after the first couple of kegs are empty. His other powers include bad dancing, and the ability to laugh at his own jokes.

Move over Hiro! Timmy “The Timemaster” Hutchins always knows the exact time and date when he’s wearing a special five dollar Timex he bought at Kmart. In future episodes he will also acquire the power to communicate with anybody in the world from any location that is within his cellphone coverage area.

Reginald “Spaghetti” Stevens, formerly a Princeton biochemist, accidentally spilled a vial of toxic chemicals into his coffee one night, and subsequently developed the ability to turn himself into a plate of spaghetti. Heroes insiders predict that after hiding his secret for many years, Reg will find a use for his power as an FBI informant.

Ever been stuck at a Thanksgiving dinner that turns into a home version of the Springer show? Or found yourself at a frat party where half naked people start yelling and breaking things? If so, you will appreciate the abilities of Midge “The Toastmistress” Evangale. Using her hypnotic powers to impart good manners and taste, she can turn the most uncouth gathering into a sophisticated social event.

Daniel “Pogo” Perez has the ability to leap 10 feet in the air. He has performed this feat only once, after he pulled a game sticker off the side of his french fries and found out he won a free order of french fries. Sadly, his power is hard to control and can’t be summoned at will, as he learned when he tried out for his college basketball team.

Valerie Smith has a superhuman level of patience. She has been known to stand in line at the grocery store for two hours because she invites others to break in front of her. Valerie is never frustrated by traffic jams. She sees them as a chance to brainstorm and organize her thoughts. When she was a young child she used to annoy her siblings by saying things like “I can’t believe it’s Christmas time already”. For fun she enjoys watching her plants grow and putting together two thousand piece jigsaw puzzles.

"Won't you tell me where my country lies?" said the unifaun to his true love's eyes...