A First Glimpse Inside the Dollhouse February 17, 2009
Posted by tvcrawlspace in : Buffy the Vampire Slayer, Dollhouse, Reviews, Sci-Fi, Whedonverse , 2comments 
Dollhouse, the new offering by Buffy creator Joss Whedon, premiered last Friday on FOX, amid unprecedented levels of fan anticipation. The general premise of the show is as follows: a girl named Echo has escaped a prison sentence by volunteering to live in a facility known as the Dollhouse, where she becomes a human guinea pig for unscrupulous employers. Their shadowy operation resembles a sort of high tech prostitution ring, and they possess technology capable of reprogramming a person’s brain to give them specific character traits. The reprogrammed “actives”, as they are called, are then rented out to wealthy clients for various purposes, legal or otherwise. After the mission is completed, the active’s memories are wiped clean, and his or her mind is reverted back to its original state. Here are some additional thoughts on the show:
- The proceedings seem fairly gloomy, and would definitely benefit from more of Whedon’s trademark humor. I’m also wondering if the brain altering technology will be a permanent feature of the series or just a starting point. It would seem a little gimmicky (and boring) to rely on this as the central plot device indefinitely. Also, as a viewer I really don’t want to see Echo being used by these laboratory creeps week after week for the benefit of the Dollhouse’s high paying clients. I would like to see her somehow turn the tables on them and maybe even use the technology for her own advantage.
- You would think having all your memories zapped from your mind and replaced with a new set on regular basis would take a serious toll on a person’s brain, especially considering the limited medical technology we have in our day and age. I mean, our sharpest pharmaceutical minds can’t come up with a drug that isn’t accompanied by a list of dangerous side effects. This seems like another logical reason why Echo’s “treatments” shouldn’t go on indefinitely.
- The general opinion about the premiere episode among fans seems to be a feeling of slight disappointment tempered with cautious optimism. Viewership numbers for the episode were less than stellar, and Whedon undoubtedly feels like he’s on trial this week. We should all keep in mind that his shows typically don’t come flying out of the gate with apocalyptic greatness. The debut seasons of both Buffy and Angel consisted largely of stand-alone episodes which served to establish the characters and settings of the shows, with few earth shattering developments.
- Whether or not Whedon is purposely lowering our expectations to a more realistic level (not a bad idea, really), I’m predicting that the show will improve greatly over the course of the first season, and the wavering faith of the fans will be restored.
- The Dollhouse facility reminds me of Angel’s old hotel hangout. Just my imagination?
- The first line spoken on the show was “Nothing is what it appears to be.” This seems like an easter egg of some kind to let us know that some unexpected developments are on the way.
- Is Echo’s predicament perhaps a metaphor for capitalism? Maybe I shouldn’t even go there. Nobody wants to be that serious on Friday night.
- It’s good to hear the badly drawn monster go “Aargh!” at the end of a TV show again.
Midseason 2009 TV Explosion! January 6, 2009
Posted by tvcrawlspace in : 13 Fear is Real, 24, 30 Rock, Amazing Race, American Idol, Buffy the Vampire Slayer, Dollhouse, Fringe, General, Hell's Kitchen, Heroes, Holiday Posts, Howie Do It, Kath & Kim, Lost, Midseason, My Name is Earl, Reality TV, Reviews, Sci-Fi, Smallville, Terminator: tSCC, The Office , 7commentsJanuary is here. The festivities and laziness of the holiday season are behind us. It’s time for everyone to once again get serious about things, get back to work, and face up to the hard cold reality of life. Right?
Wrong! January is the time of year we TV watchers plunge head first into some serious escapist entertainment, and here at TV Crawlspace the only reality we’ll be facing is reality television. In just a few days, a massive wave of midseason premieres will hit like a tsunami, carrying us helplessly out into the television ocean, hopefully never to return again.
For TV Guide’s complete schedule of midseason premieres, click here.
Here’s a rundown of shows I’m looking forward to (and a couple I’m not looking forward to) in chronological order:
13 Fear is Real - (starts Wed., Jan. 7 on CW 8/7c)
This is a spooky themed reality show that might be amusing, something along the lines of Survivor meets Blair Witch Project. I hope there’s something more going on here than guys in masks jumping out and scaring contestants.
NBC comedy night done (halfway) right - (all four shows resume on Thur., Jan. 8 on NBC 8/7c)
My Name is Earl - This has been a little bit better this season, with a half hearted attempt to return to the theme of redemption (Earl’s list) that made the show so appealing in the first season.
Kath & Kim - I watched this show just to see how bad it was, and to my surprise I liked it. Slightly demented but well written, it’s sort of a kinder, gentler version of John Waters. Everybody on this show apparently works in a mall. How cool is that?
The Office - This has been brilliant as usual. I especially liked the episode where Jim and Pam had their first disagreement. I hope this is a foreshadowing of things to come. I think I like them better as enemies than lovers. Is it just me, or are all the female characters on this show mean and vindictive?
30 Rock - As a fan of Tina Fey during her SNL days, I wanted to like this overhyped show, but the cutesy self-satisfied tone of it left me cold. The jokes aren’t funny, and the endless parade of guest stars can’t make up for the show’s lack of direction. The emperor has no clothes!
Howie Do It - (starts Fri. Jan. 9 on ABC 8/7c)
This appears to be a hidden camera prank type show with Howie Mandel. I may watch the one episode that is aired before the show is cancelled.
24 - (starts Sun. Jan. 11 on FOX 8/7c)
What I always liked about 24 was its sci-fi elements, like the spacey soundtrack, and the high tech gadgetry. This season Janeane Garofalo plays the new computer guru, Janis Gold. According to TV Guide, “Mid-season run-ins with Chloe should make for hot geek-on-geek action.”
American Idol - (starts Tue. Jan. 13 on FOX 8/7c)
It is what it is.
Smallville - (returns Thur. Jan. 15 on CW 8/7c)
I’ve gotten hooked on this show again after sitting out for a couple of seasons. It seems unfair that Smallville’s best season ever may be its last, although I don’t know if that’s been made official yet.
Supernatural - (returns Thur. Jan. 15 on CW 9/8c)
Another CW show that I’ve rediscovered. It seems to have improved a lot since its first season. CW deserves credit for giving shows like this and Smallville a chance, and not axing them at the drop of a hat.
Fringe - (returns Tue. Jan. 20 on FOX 9/8c)
This sci-fi drama from the co-creator of Lost is my favorite new show of the year. Run and tell your friends.
Lost - (starts Wed. Jan. 21 on ABC 9/8c)
There are few television pleasures that compare with getting lost in Lost. It’s pretty amazing that a show this weird could stay on the air for five years, but it’s been reported that season 6 in 2010 will be the last.
Hell’s Kitchen - (starts Thur. Jan. 29 on FOX 9/8c)
Not a great time slot for Chef Ramsey this time around. He’s going up against The Office and the ratings powerhouse Supernatural.
Heroes - (returns Mon. Feb. 2 on NBC 9/8c)
This quality of this show has fallen faster than Nathan Petrelli during an eclipse. The storylines seem to be wandering aimlessly. Too many characters to keep up with is part of the problem. Some have suggested it could be the show’s last season if the ratings don’t improve.
Terminator: The Sarah Connor Chronicles - (returns Fri. Feb. 13 on FOX 8/7c)
FOX is moving this to Fridays, where it will be paired up with Dollhouse.
Dollhouse - (starts Fri. Feb. 13 on FOX 9/8c)
This is the one that everyone’s waiting for, the new show from Buffy/Angel mastermind Joss Whedon, but there have reportedly been problems in production and FOX has now relegated the show to the dreaded Friday night time slot (set to debut on Friday the 13th, no less). Of course, the X-files thrived on Fridays, so there’s still hope.
The Amazing Race - (starts Sun. Feb. 15 on CBS 8/7c)
My favorite reality show will feature less airports this season, according to TV Guide.
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